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22 March 2024

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Generative Learning Strategies

Many of this column's learning strategies can be described as generative. Such methods can be very effective for students when learning at home. Here are some tangible strategies that students can use:

1. Create visual representations: Students can generate diagrams, mind maps, or graphic organisers to represent key concepts or processes they are learning. For example, creating a concept map to organise information about photosynthesis or drawing a timeline to summarise the events of a historical period.

2. Explain concepts out loud: Explaining them out loud, either to themselves or a family member, can help students solidify their understanding. They can pretend to be the teacher and walk through the key points and examples as if they were teaching the material.

3. Generate practice questions: Instead of just answering practice questions, students can create their own questions based on the material they are studying. This requires them to analyse the content and identify the most important points to turn into questions.

4. Make connections to real life: Students can look for ways to connect the concepts they are learning to real-world situations or their own experiences. For instance, they could apply maths formulas to calculate costs for a hypothetical business or relate themes from a novel to current events.

5. Summarise and rephrase: After reading a textbook chapter or watching an educational video, students can practice summarising the main ideas in their own words or rephrasing complex concepts in simpler terms.

6. Create examples and analogies: Generating their own examples or coming up with analogies can help students better understand abstract concepts. For instance, using a familiar scenario to explain how electrons flow in a circuit.

7. Apply knowledge in creative ways: Students can apply what they've learned in creative projects, such as writing a short story to demonstrate their understanding of a historical event or creating a model to illustrate a scientific process.

Students can enhance their understanding and retention of the material they are studying at home by actively generating outputs, making connections, and applying knowledge in various ways.


Maths Student of the Week

Mary 11M - for consistent hard work throughout the year, attending extra revision sessions and seeking out additional revision resources.

Well Done!


The CSG Anonymous Art Auction 2024

Families who were a part of our community between 2017 and 2019 will remember the success of our Anonymous Art Auctions.  We are now launching the Camden School for Girls Anonymous Art Auction 2024 to raise funds to improve our facilities and to ensure we can continue to offer the enriching and broad programme of education that all our pupils need and deserve.

We are inviting artists in the school community and other talented well-wishers to create and donate an artwork in any medium, on an A5 postcard. If this is you, we would love to hear from you, or if you know other creative people who may like to participate, please forward this onto them?

The identity of the artists will be a secret until the auction closes so buyers will base their choice purely on what they like, with the potential that they could snap up a piece by a renowned artist or celebrity. In previous years we have had works from wonderful artists including Cornelia Parker, Ryan Gander, Mark Wallinger, John Keane, Gaby Boyd, Jake and Dinos Chapman, Mona Hatoum and Maggi Hambling. The artworks will be auctioned through an online auction site with the names of contributors listed but not which art work is theirs.

If you think you can help us, please email friends@csg.school with a postal address so we can send you a pack with further details, a blank postcard on which to create your piece and a reply-paid envelope. To save postage costs, if you are local and are able to collect a pack from the school, that would be much appreciated.

Please don't hesitate to contact us with any questions or if you need more information.

Here are a few examples from previous years.

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PE News

Day of Dance

On Monday 18 March, 28 pupils from Y7-9, took part in the Day of Dance event organised by Step into Dance.

Day of Dance was in partnership with professional dance organisations and was a wonderful opportunity for young people to experience training, meet likeminded dancers from other groups on the Step into Dance programme and have the opportunity to share their work with other school groups.

Each group got the opportunity to take part in a contemporary workshop, observe a professional dance class and share the choreography they had been working on in their Step into Dance sessions with Ellie. This was followed by some guided feedback and a Q&A session with first year students in training.

It was a jam packed and inspirational day for pupils to experience an aspect of Dance training that they could aspire to on the future pathways. The pupils from CSG certainly worked hard on the day and their talents shone through in their performances.

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We performed a dance that we had been working on and got feedback from other schools. We then danced with a teacher from the conservatoire; this was very inspirational, and it was amazing to take part in it!

After a short break, we watched a creative class in action. I really enjoyed this because it let us see what it could be like for us if we chose to have a career in dance. We were also introduced to new and diverse styles of dance that we don't usually do. This helped us to expand and broaden our choreography with new and interesting ideas.

Later, we had a Q&A with some first year students from the school, where we could ask any questions we wanted. This was particularly eye-opening in showing a typical day in the life of a dance student. We were able to get first hand advice and experiences from the students. Overall, it was a great day full of dance! Rijana

Exploring Arsenal

On Friday the 10 March, a group of Year 9-11s went to the ‘Exploring Arsenal’ event at the Emirates Stadium for International Women's Day.

We were separated into small groups and talked to many inspiring people working within Arsenal and learnt about all the career opportunities you could have, including some that you would not expect. I found it very interesting to learn about what goes on in Arsenal and that women also have a lot of opportunities as well.

At the end, we played table football and made mini sculptures of inspiring women out of clay - we made Ms Devine!

Zara 10M & Embla 10R


Year 8 English

Year 8 students have been studying the dystopian genre this term. Here are some student articles on their favourite dystopian text of the unit so far. 

Ms E-P 

Eva: The Handmaid’s Tale is a dystopia set in the near future, in which very few women can give birth, and the ones that can serve as Handmaids for the upper class men and their barren Wives, to bear them children.

The book uses a first-person perspective and is in the past tense. I think that Margaret Atwood writes really nicely and the tone she uses helps the reader’s understanding of the story. For example, a theme I noticed in the opening was how the Handmaids are repeatedly compared to animals, shown in the phrase, ‘they had electric cattle prods’. The phrase is referring to the wardens, Aunt Elizabeth and Aunt Sara. The use of electric cattle prods as weapons compares the Handmaids to cattle or livestock, heartlessly maintained for the sole purpose of profit. What is also effective is the way the Handmaids are made to call their captors ‘Aunts’ - this is not a name they made up. The new leaders of the country want the Handmaids to see their captors as caring people who they can trust - in sharp contrast to the cattle prods they wield. The Handmaids are treated like both children and farm animals. Although there is not much action in this opening, the interest that the narrator’s thoughts provoke in the reader is more than enough to keep you reading.

Becky: Offred’s character isn’t properly established in this first page because of a lack of given backstory, information or even a name. However, her different tones of nostalgia and desperation are evident throughout the text. In the first half of the text, she is reliving old times in her mind and almost trying to escape her reality of concluding this with a rhetorical question ‘How did we learn it, that talent for insatiability?’ which represents a shift in tone to desperation. She then begins to talk about her suffering, bad living conditions and oppressive regime and hopes to escape. For example, the use of anaphora in ‘If only they would look. If only we could talk to them.’ This repetition of  ‘if only’ displays her distress and anguish. This variation in tone reinforces her immense desperation for escape and freedom.

In my opinion, a very significant structural technique that the author uses  is the separation of the women’s names in a separate line. She constantly refers to the group but only says their names at the end to gain suspense and make the reader question who is ‘we’? I believe she has separated them to show that when all is stripped away from them: their lives, humanity and freedom, there is still their identity and who they are inside. Names are very special and this highlights the importance of knowing someone’s name and calls attention to their individuality. This also represents hope within extremely difficult circumstances as, even if it could cost their lives, they still wanted to learn each other's names.

Samira: One of the main dystopian elements in the story is the dehumanisation of society. The city is depicted as a cold and lifeless place where people are isolated and disconnected from one another. The streets are empty and the only source of light comes from television screens in peoples' houses. We know this because Bradbury writes ‘only the faintest glimmers of firefly light appeared in flickers behind the window’. This highlights the loss of human interaction and strong reliance on technology, and the alliteration of the ‘f’ sounds emphasise how little life is in people’s homes.

Another main dystopian element in the story is the oppressive surveillance and control by the state. Leonard Mead’s walks are seen as defiant behaviour. The police, represented by the robotic car, view his actions as suspicious and attempt to control and suppress individuality. This emphasises the oppressive nature of society, where any form of non conformity is met with punishment.

I think Bradbury offers a glimpse into a dystopian future where individuality, human connection and freedom, are strictly suppressed. I find the story interesting. As I read ‘The Pedestrian’, I can’t help but reflect on our own society's increasing reliance on screens. It made me appreciate the simple act of taking a walk and feeling the breeze without being stopped by police.


World Book Day

Parents are always asking how they can help their daughters succeed at school.   Well, one thing that research has consistently shown to make a difference is reading books outside of school, particularly fiction books.  An assembly on the importance of reading launched World Book Day at Camden School for Girls.  Some of the key points covered can be viewed here

We have many students who are very keen readers.  As part of World Book Day celebrations, our annual “Readers of the Year” were announced. These are given to students who not only read many books, but read widely and are prepared to take on demanding literature.  Congratulations to our 2024 winners:

Year 7 - Amahra, Catalina and Marianne

Year 8 - Kitty, Vera and Zahra

Year 9 - Laila, Rose and Tahira

Year 10 - Naomi

Year 11 - Majida

On World Book Day there was also a quiz involving alternate titles for books in the library.  Congratulations to the winners - Lana, Year 8 and Aaliya, Year 9.

Susan Green


Casca News  

A big ’thank you’ from CASCA

Thank you to everyone who made our Indoor Carboot Sale and Quiz Night and Auction such a success: thank you to the organisers and to the auction donors and bidders and to everyone who came and took part in the quiz or bought things at the carboot sale.

Through both events we raised at least £12,000 which will go directly to school for enriching our children’s education.

Auction Winners: Anyone who bid and won an auction prize and is still not sure how to collect it, please email casca@csg.school and we can help.

New Members: As we look towards our Annual General Meeting in May, we will be looking for new CASCA members to join the organising committee. If you might be interested, please email us on casca@csg.school.
In particular, we will be looking for someone to help with the annual School Danceathon fundraiser, the Christmas tree sales (not till Autumn) and a new co-chair.

We will also welcome our new secretary, Olga Bagaudski who will be formally voted in. 

We will be in touch with more information on this and our Summer Term Fundraisers after the Easter holidays.

Best wishes,
Annabel & Sandra and the CASCA team.